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edward cullen  romance  stephenie meyer  vampire  vampire romance  

Twilight (Twilight, Book 1)

Twilight (Twilight, Book 1)Author: Stephenie Meyer
Publisher: Little, Brown Books for Young Readers
Category: Book

List Price: $19.99
Buy Used: $3.10
as of 3/11/2010 11:39 PST details
You Save: $16.89 (84%)



New (61) Used (91) from $3.10

Seller: Bee_Books

Media: Hardcover
Edition: Standard
Reading Level: Young Adult
Pages: 544
Number Of Items: 1
Shipping Weight (lbs): 1.4
Dimensions (in): 8.5 x 5.9 x 1.7

ISBN: 0316160172
EAN: 9780316160179
ASIN: 0316160172

Publication Date: October 5, 2005
Availability: Usually ships in 1-2 business days

Features:
  • ISBN13: 9780316160179
  • Condition: NEW
  • Notes: Brand New from Publisher. No Remainder Mark.

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Editorial Reviews:

Amazon.com Review
"Softly he brushed my cheek, then held my face between his marble hands. 'Be very still,' he whispered, as if I wasn't already frozen. Slowly, never moving his eyes from mine, he leaned toward me. Then abruptly, but very gently, he rested his cold cheek against the hollow at the base of my throat."

As Shakespeare knew, love burns high when thwarted by obstacles. In Twilight, an exquisite fantasy by Stephenie Meyer, readers discover a pair of lovers who are supremely star-crossed. Bella adores beautiful Edward, and he returns her love. But Edward is having a hard time controlling the blood lust she arouses in him, because--he's a vampire. At any moment, the intensity of their passion could drive him to kill her, and he agonizes over the danger. But, Bella would rather be dead than part from Edward, so she risks her life to stay near him, and the novel burns with the erotic tension of their dangerous and necessarily chaste relationship.

Meyer has achieved quite a feat by making this scenario completely human and believable. She begins with a familiar YA premise (the new kid in school), and lulls us into thinking this will be just another realistic young adult novel. Bella has come to the small town of Forks on the gloomy Olympic Peninsula to be with her father. At school, she wonders about a group of five remarkably beautiful teens, who sit together in the cafeteria but never eat. As she grows to know, and then love, Edward, she learns their secret. They are all rescued vampires, part of a family headed by saintly Carlisle, who has inspired them to renounce human prey. For Edward's sake they welcome Bella, but when a roving group of tracker vampires fixates on her, the family is drawn into a desperate pursuit to protect the fragile human in their midst. The precision and delicacy of Meyer's writing lifts this wonderful novel beyond the limitations of the horror genre to a place among the best of YA fiction. (Ages 12 and up) --Patty Campbell


10 Second Interview: A Few Words with Stephenie Meyer

Q: Were you a fan of Buffy the Vampire Slayer? Angel? What are you watching now that those shows are off the air?
A: I have never seen an entire episode of Buffy or Angel. While I was writing Twilight, I let my older sister read along chapter by chapter. She's a huge Buffy fan and she kept trying to get me to watch, but I was afraid it would mess up my vision of the vampire world so I never did.

I don't have a ton of time for TV, and my kids get rowdy when I have on "mommy shows," but I do have a secret fondness for reality shows (the good ones, at least in my opinion). I always TiVo Survivor, The Amazing Race, and America's Next Top Model.

Q: What inspired you to write Twilight? Is this the beginning of a series? Why write for teens?
A: Twilight was inspired by a very vivid dream, which is fairly faithfully transcribed as chapter thirteen of the book. There are sequels on the way--I'm hard at work editing book two (tentatively titled New Moon) right now, and book three is waiting in line for its turn.
I didn't mean to write for teens--I didn't mean to write for anyone but myself, so I had an audience of one twenty-nine year old (and later one thirty-one year old when my sister started reading). I think the reason that I ended up with a book for teens is because high school is such a compelling time period--it gives you some of your worst scars and some of your most exhilarating memories. It's a fascinating place: old enough to feel truly adult, old enough to make decisions that affect the rest of your life, old enough to fall in love, yet, at the same time too young (in most cases) to be free to make a lot of those decisions without someone else's approval. There's a lot of scope for a novel in that.

Q: What is your favorite vampire story? Fave vampire movie?
A: I guess my favorite vampire story would be The Vampire Lestat, by Anne Rice, simply because it's one of the only ones I've ever read. I keep meaning to pick up Bram Stoker's Dracula, because I get asked this question so often and I should probably start with the classics, but I haven't gotten around to it yet. Again, I'm afraid to read other vampire books now, for fear of finding things either too similar, or too different from my own vampire world.

Ack! I can't even answer the movie question. I can't remember ever seeing a single vampire movie, outside of clips from Bela Lugosi movies on TV. I don't like true horror movies--my favorite scary movies are all Hitchcock's.

Q: What other young adult authors do you read?
A: My favorite young adult author is L.M. Montgomery I also enjoy J.K. Rowling (but who doesn't?), and Ann Brashares. As a teen, I skipped straight to adult books (lots of sci-fi and Jane Austen), so I'm rediscovering the world of teen literature now.


Stephenie Meyer's List of Books You Should Read


Anne of Green Gables

Romeo and Juliet

Dragonflight

To Kill a Mockingbird

The Princess Bride

See more recommendations from Stephenie Meyer



Q&A with Stephanie Meyer

Q: What book has had the most significant impact on your life?
A: The book with the most significant impact on my life is The Book of Mormon. The book with the most significant impact on my life as a writer is probably Speaker for the Dead, by Orson Scott Card, with Rebecca by Daphne du Maurier coming in as a close second.

Q: You are stranded on a desert island with only one book, one CD, and one DVD--what are they?
A: The CD is easy: Absolution by Muse, hands down. It's harder to give myself just one movie, but the one I watch most frequently is Sense and Sensibility--the one with the screenplay by Emma Thompson. One book is impossible. I'd have to have Pride and Prejudice, but I couldn't live without something by Orson Scott Card and a nice, thick Maeve Binchy, too.

Q: What is the worst lie you've ever told?
A: My lies are all very, very boring: "No, you really look great in hot pink!" "My children only watch one hour of TV a day." "I didn't eat the last Swiss Cake Roll--it must have been one of the kids." That's the best I've got.

Q: Describe the perfect writing environment.
A: It's late at night and the house is silent, but I'm still (miraculously) full of energy. I have my headphones in and I'm listened to a mix of Muse, Coldplay, Travis, My Chemical Romance, and The All-American Rejects. Beside me is a fabulous, and yet mysteriously low in calorie, cheesecake....

Q: If you could write your own epitaph, what would it say?
A: I'd like it to say that I really tried at the important things. I was never perfect at any of them, but I honestly tried to be a great mom, a loving wife, a good daughter, and a true friend. Under that, I'd want a list of my favorite Simpsons quotes.

Q: Who is the one person living or dead that you would like to have dinner with?
A: I'd love to have a chance to talk to Orson Scott Card--I have a million questions for him. Mostly things like, "How do you come up with this stuff?!" But, if he wasn't available, I'd settle for Matthew Bellamy (lead singer of Muse).

Q: If you could have one superpower, what would it be?
A: I'd want something offensive, rather than defensive. Like shooting fireballs from my hands. That way, you're really open to going either way--hero or villain. I like to have choices.






Product Description
Deeply sensuous and extraordinarily suspenseful, TWILIGHT captures the struggle between defying our instincts and satisfying our desires. This is a love story with bite.Isabella Swan+s move to Forks, a small, perpetually rainy town in Washington, could have been the most boring move she ever made. But once she meets the mysterious and alluring Edward Cullen, Isabella+s life takes a thrilling and terrifying turn. Up until now, Edward has managed to keep his vampire identity a secret in the small community he lives in, but now nobody is safe, especially Isabella, the person Edward holds most dear. The lovers find themselves balanced precariously on the point of a knife-between desire and danger.


Customer Reviews:
Showing reviews 1-5 of 100
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5 out of 5 stars first book report   March 11, 2010
G. Barbera
0 out of 1 found this review helpful

I was given the book Eclipse by my daughter for Christmas, the third book in the series, which I read in less than a day. I decided maybe I should start by reading the series from the beginning so I could understand what the third book was all about.I must say that from the moment I received the book and started reading it I could not put it down. It's touching and conflicting. How Edward didn't understand the "emotions" he was feeling and his over-protectiveness for Bella, which at times he got just a little carried away with.It's a wonderful love story with quite a twist.
I later bought the movie and the rest of the books. All I can say is Stephenie Meyer, kudos to you for writing such wonderful and conflicting stories about true love.



1 out of 5 stars As a struggling writer, I'm offended   March 10, 2010
J. Dooley (Baltimore, MD)
4 out of 4 found this review helpful

Twilight centers on the developing romance between star-crossed flirters Bella Swan and Edward Cullen. Problem is, Bella and Edward have no chemistry. He's a 100 year-old vampire. She's a helpless, self-conscious klutz. They don't do anything together except look at each other. They have nothing in common--except they're both virgins--and so they talk about nothing.

Oh, sure, they talk about the weather, music, and their favorite color, but nothing important like what they believe in or their values. These conversations about nothing are fraught with artificial tension and abused facial expressions. There's a glower, a simper, a chuckle, a smirk, a sigh, a blush after EVERY laborious exchange. It's meant to be engrossing and edgy, but it's distracting and silly. Edward the Emo shifts moods from cocky to lustful to angry to protective in the blink of an eye. Bella's range of emotions exists between expressing embarassment for her clumsiness and awe of Edward's smooth skin, his sculpted chest, his fiery eyes, etc.

The story is told from Bella's perspective. She's your typical upper-middle-class teenager: spoiled, snobbish, and uninteresting. After moving to Forks, Washington, she looks down on her high school classmates because they are nice and emotionally engaged. She acquires friends effortlessly and for no other reason than to have someone to sit with at lunch. Invitations extended to her to go shopping, to go to the beach, and to go to the high school dance she treats with ambivalence if not distaste.

She placates these little people by pretending to enjoy their company, but she is really just biding her time, waiting for love. When Edward enters her life, she drops all pretense.

Edward, as described through the eyes of Bella, is just as one-dimensional and unlikable. He's brooding, intelligent, good-looking...basically a fantasy realized. Stephenie Meyer spares an editor to overwhelm us with descriptions of Edward with SAT words like "sinuous" and "translucent." In addition to his beauty, Edward doesn't eat, doesn't breathe, sparkles in the sunlight, has super strength, super speed, super scent, venomous fangs, and the ability to read minds. How did he get these powers? Because he's a vampire, of course!

I understand Bella's attraction to Edward--young women are often attracted to jerks--but I can't understand what Edward likes about her. Actually, I can't deduce ANY motivation behind Edward's actions. It seems to me that, aged 100 years, he would have weightier things on his mind than seducing the new girl in town. It is as if Stephenie Meyer decided the Cullens would be vampires in the middle of the process of writing the book. But this revelation renders Edward's "cover" as a high school student--and thus how he meets Bella in the first place--a ridiculous charade.

There are no bad guys, no challenge or foreseeable goal for the characters to struggle toward or overcome. So it's no surprise Meyer first introduces a hint of a theme about 1/4 of the way through the book, when Bella meets Jacob. He's the best character in the book because he's the least pretentious. Just when you think the book might be going somewhere with him, he all but disappears until the end.

The absence of a story necessitates that Bella entertain us with the plot points of her day-to-day life, such as surfing the Internet, cooking for her dad, finding a space in the student parking lot, and reading Jane Austen (no coincidence; Edward is very much like Mr. Darcy in Pride and Prejudice). Pages upon pages are filled with Bella's babbling to herself about her dreadful, boring life and about Edward.

Realizing that she'd written a whole novel in which nothing happened, Meyer introduces the antagonists of the book 100 pages from the end: a coven of vampires on the prowl. It starts innocently enough. They ask to join the Cullens' intramural baseball game in the foothills of the Olympic Mountains. Then it turns ugly as a member of the visiting team gets a whiff of Bella's blood. The Cullens whisk Bella away to a hotel in Phoenix for her safety while Edward pursues the bad guy to Vancouver. The deliberate precaution to ensure Bella's safety backfires completely, but the contrived international flair is halfway redeeming.

As a writer myself, I struggle to establish textured settings, empathetic characters, and a compelling plot. I establish tension early on and sustain it throughout the story. Unless there is something at stake, there is no point in writing more. I make my characters just neurotic enough that they surprise you once or twice when the course of the plot depends on his/her actions. This takes a lot of work that doesn't necessarily come through in the finished book, but believe me, it's necessary to write well.

Twilight lacks effort on all these fronts. Its success is indeed a phenomenon, but the writing is not.



5 out of 5 stars Twilight   March 10, 2010
Lewis Hackett (Hereford, England)
0 out of 2 found this review helpful

I think the twilight saga has an incredible storyline to it, and has many parts to it that are unique. A lot of people criticize parts of the books (e.g. some of the features), but I think that the fact is that they don't like some of the small change Stephenie Meyer has made to vampires, so they critize it because it isn't the same.


5 out of 5 stars Collector's Edition   March 9, 2010
D. DuMouchel (Norton Shores, MI USA)
0 out of 1 found this review helpful

This has to be my ultimate favorite book and love the style, print and cover.


1 out of 5 stars Young Love Bites   March 9, 2010
LP Quagmire (Canada)
0 out of 1 found this review helpful

Ty Webb once said that a flute with only one hole isn't really a flute, and a donut without a hole is a danish. It was true then and it's true now, and a remarkably prescient preface to one's immersion into the pimply, purple world Meyer has created.

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