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The Reluctant Fundamentalist

The Reluctant Fundamentalist

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Author: Mohsin Hamid
Publisher: Harvest Books
Category: Book

List Price: $14.00
Buy Used: $5.40
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Media: Paperback
Edition: 1
Number Of Items: 1
Pages: 208
Shipping Weight (lbs): 0.5
Dimensions (in): 7.9 x 5.3 x 0.6

ISBN: 0156034026
Dewey Decimal Number: 813.54
EAN: 9780156034029
ASIN: 0156034026

Publication Date: April 14, 2008
Availability: Usually ships in 1-2 business days
Shipping: Expedited shipping available
Shipping: International shipping available
Condition: Visible shelf wear -- may have some notes/markings on pages

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Editorial Reviews:

Amazon.com Review
Mohsin Hamid's first novel, Moth Smoke, dealt with the confluence of personal and political themes, and his second, The Reluctant Fundamentalist, revisits that territory in the person of Changez, a young Pakistani. Told in a single monologue, the narrative never flags. Changez is by turns naive, sinister, unctuous, mildly threatening, overbearing, insulting, angry, resentful, and sad. He tells his story to a nameless, mysterious American who sits across from him at a Lahore cafe. Educated at Princeton, employed by a first-rate valuation firm, Changez was living the American dream, earning more money than he thought possible, caught up in the New York social scene and in love with a beautiful, wealthy, damaged girl. The romance is negligible; Erica is emotionally unavailable, endlessly grieving the death of her lifelong friend and boyfriend, Chris.

Changez is in Manila on 9/11 and sees the towers come down on TV. He tells the American, "...I smiled. Yes, despicable as it may sound, my initial reaction was to be remarkably pleased... I was caught up in the symbolism of it all, the fact that someone had so visibly brought America to her knees..." When he returns to New York, there is a palpable change in attitudes toward him, starting right at immigration. His name and his face render him suspect.

Ongoing trouble between Pakistan and India urge Changez to return home for a visit, despite his parents' advice to stay where he is. While there, he realizes that he has changed in a way that shames him. "I was struck at first by how shabby our house appeared... I was saddened to find it in such a state... This was where I came from... and it smacked of lowliness." He exorcises that feeling and once again appreciates his home for its "unmistakable personality and idiosyncratic charm." While at home, he lets his beard grow. Advised to shave it, even by his mother, he refuses. It will be his line in the sand, his statement about who he is. His company sends him to Chile for another business valuation; his mind filled with the troubles in Pakistan and the U.S. involvement with India that keeps the pressure on. His work and the money he earns have been overtaken by resentment of the United States and all it stands for.

Hamid's prose is filled with insight, subtly delivered: "I felt my age: an almost childlike twenty-two, rather than that permanent middle-age that attaches itself to the man who lives alone and supports himself by wearing a suit in a city not of his birth." In telling of the janissaries, Christian boys captured by Ottomans and trained to be soldiers in the Muslim Army, his Chilean host tells him: "The janissaries were always taken in childhood. It would have been far more difficult to devote themselves to their adopted empire, you see, if they had memories they could not forget." Changez cannot forget, and Hamid makes the reader understand that--and all that follows. --Valerie Ryan



A Conversation with Mohsin Hamid
Set in modern-day Pakistan, Mohsin Hamid's debut novel, Moth Smoke, went on to win awards and was listed as a New York Times Notable Book of the Year. His bold new novel, The Reluctant Fundamentalist, is a daring, fast-paced monologue of a young Pakistani man telling his life story to a mysterious American stranger. It's a controversial look at the dark side of the American Dream, exploring the aftermath of 9/11, international unease, and the dangerous pull of nostalgia. Amazon.com senior editor Brad Thomas Parsons shared an e-mail exchange with Mohsin Hamid to talk about his powerful new book

Read the Amazon.com Interview with Mohsin Hamid






Product Description

A NATIONAL BESTSELLER

At a café table in Lahore, a bearded Pakistani man converses with an uneasy American stranger. As dusk deepens to night, he begins the tale that has brought them to this fateful encounter . . .

Changez is living an immigrant’s dream of America. At the top of his class at Princeton, he is snapped up by the elite valuation firm of Underwood Samson. He thrives on the energy of New York, and his budding romance with elegant, beautiful Erica promises entry into Manhattan society at the same exalted level once occupied by his own family back in Lahore.

But in the wake of september 11, Changez finds his position in his adopted city suddenly overturned, and his budding relationship with Erica eclipsed by the reawakened ghosts of her past. And Changez’s own identity is in seismic shift as well, unearthing allegiances more fundamental than money, power, and maybe even love.




Customer Reviews:   Read 95 more reviews...

5 out of 5 stars Wonderfully nuanced insight into Pakistan and the US   October 2, 2008
I was hooked at the first page. I love the narrator's style: you are the listener and can just imagine sitting opposite Changez in Lahore's Old Anarkali: definitely those who have been, and I hope also those who have not. Since, I believe, this book gives a wonderfully nuanced insight into the beautiful hospitable country Pakistan is and how external events and categorisations trigger in people emotions that are often misunderstood and which trigger further events into a vicious circle.

It is not a pessimistic book, but a personal recount which could lead to breaking the vicious circle of mistrust by bringing better understanding through a beautiful piece of prosa!



5 out of 5 stars Engrossing Novel   September 24, 2008
This is an engrossing novel that takes place solely in a cafe in Lahore, Pakistan. A young man who attended Princeton and lived in New York City is trying to explain to a reluctant American why he is feeling compelled to... do what?


4 out of 5 stars An Insightful Novel, Often Over-Simplified in Reviews Below   September 6, 2008
 1 out of 1 found this review helpful

Interesting view of the U.S. through a fictitious Pakistani's eyes as his spirit deteriorates due to the political and personal events he endures. Periodically, somewhat affected voice due to the style of narration, but a nonetheless quick and compelling read.

I think some reviewer have conflated the narrator's voice with the author's. I doubt very much that Mohsin Hamid agrees with every word he placed in the mouth his narrator's mouth. (This should go without saying, but we live in very literal and very divisive times.) Rather he was showing how the narrator's character change was precipitated by a number events (again both political and personal), which he weathered. In other words, the narrator's anger towards the United States was inextricably wound up with his pain at losing his lover. He was unable to tease these apart and it lead him into a different, more volatile state of mind. The fact that Hamid can demonstrate this unraveling makes him a sensitive writer and a keen observer of the human condition, not an advocate for terrorism. That said, the book does include some pointed and relevant criticism of the U.S. I just think it's an oversimplification to assume Hamid's giving the narrator's point of view a big thumbs up. It's a richer, more sophisticated narrative than that.



1 out of 5 stars It could have been so much more   August 30, 2008
 1 out of 1 found this review helpful

I am not shy about criticizing US foreign policy and our nation's hubris. There are many legitimate reasons to dislike the US government. This book is based on none of them. In contrast to millions of people around the world, the protagonist was issued a visa to come to the US, attended one of the top colleges in the US and was selected over hundreds of applicants for a plum US job with a high salary. He is surrounded by people who like him, look out for him and care for him. Yet when the 9/11 attacks happen, he smiles and is pleased. Why? He doesn't really say - it appears to be based on his personal, cultural identity crisis and a reference to American belligerence (which, though true, is not tied in personally to the protagonist at all). He seethes with anger when the US attacks the Taliban in Afghanistan. He apparently but inexplicably sympathizes with his murderous, iron-fisted, women-hating neighbors. This book seems to have been written in a hurry, the author neglecting to provide any legitimate foundation for the protagonist's antipathy to the US. Certainly it could have been done and the reader is truly left wondering why the author chose to omit history in favor of assuming that the reader would agree the protagonist's feelings were justified. It is particularly confusing when told from the viewpoint of a well-educated, supposedly intellectual man who should have seen that hard diplomacy is a much sharper weapon than violence.

I found the author's writing style (the protagonist speaking to a man with no voice and no apparent reason to be there other than as an excuse to poke more fun at Americans) annoying and disruptive of what little flow the book had. Another stylistic tool - the dash! - is ubiquitous and entirely distracting. Truly, this book could have been so much more had the author put more time (and perhaps research) into it. It could have been a bridge to explain to a mass audience Muslims' frustration with America. It utterly fails in this regard and in the end I fear it will only be used as fuel by those who believe that Islam is a violent faith.



5 out of 5 stars Brilliant   August 26, 2008
 0 out of 1 found this review helpful

Best book I've read in ages. Absolutely floored me. I was so into it that I read it at my desk at work because I had to find out what happened next.

Instantly jumps to the top of my list of books I recommend to other people.


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